Showing posts with label doug lemov. Show all posts
Showing posts with label doug lemov. Show all posts

Monday, May 9, 2011

Attaining Intangible States
A Personal Narrative and a Lesson in Applied Philosophy

A Teacher Pursuing Intangible States
original artwork by Tavet Rubel, created for Dewey to Delpit
Last post, I wrote about a powerful, impersonal kind of certainty that, under the best circumstances, a teacher feels about the instructions she gives. The incident of the classroom interloper, which I chose to illustrate that certainty, is an especially clear example, but in the course of my two months teaching precalc, there have been countless subtler instances in which this sense of the inevitability of my injunctions has come to my aid. It is the first time in my teaching career (now in its fifth year) that I have felt this kind of sureness, and of course, it’s thrilling.

When I taught at an inner-city No-Excuses charter school two years ago, I had the opposite experience. I was deeply insecure and hesitating. I expected my instructions to meet resistance, and they almost always did; and when that resistance was forceful, as it often was, my very dignity and pride were threatened.

Monday, November 1, 2010

More on Mensch Prep: "Shave and a Haircut" Like You've Never Seen It Before

[On September 27th, I posted a description and analysis of the first hour of the first day of school at Mensch Prep Charter School (the name, like all other identifying details, is invented.) This post picks up where that one left off.]


After breakfast is cleaned up at each table, there are a series of coordinated bathroom visits. Then, Mensch Prep's principal[1], Nonyameko Pertinax (if I have to invent names, I'm not going to invent boring ones), announces that they're going to learn a song. The teaching of the song, which turns out to be "Shave and a Haircut" (sung without lyrics) provides another opportunity to reinforce habits of when to speak and when not to speak in class, and it is a rigorous exercise in that most fundamental component of discipline and maturity—self-control.

The song is taught as a call and response: Ms. Pertinax sings the "shave and a haircut" part, and everyone else sings the "two bits;" but first the kindergartners have to listen to the song with "teachers only," i.e. Ms. Pertinax sings the call and the rest of the faculty sings the response. That's harder than it sounds, because like any well-constructed song "Shave and a Haircut" begs for its resolution. When Ms. Pertinax sings "dum da da-dum dum," many children are compelled to sing "dum dum!" along with the teachers.